Engine Of Change
The future of our planet and of humanity relies not just in lifting women up, but in giving them the opportunity to lead and to help invent a new economic era… because what’s good for women and girls, is good for Earth.
— Cristina Mittermeier
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When we do this, we change the cycle. We build change. Seeds of change. Winds of change. Oceans of change. Climate change. Catalyst of change. Cristina Mittermeier is an engine of Change.
She is a Sony Artisan of Imagery, National Geographic Woman of Impact, founder of the International League of Conservation Photographers and co-founder of Sea Legacy, an organization combining decades of experience in conservation, photography, and communications, with the latest digital and social technologies, to build a healthy future for our oceans.
She is a woman whose influence has grown beyond her Mexico City roots as a marine biologist, artist, author and global champion for a sustainable earth. Her accomplishments fill an impossibly long list of environmental protections working in over 120 countries, from fisheries, biodiversity and the plight of indigenous peoples around the world to the support and education of young women and girls.
Mittermeier’s success as an activist and her ability to see into the needs of our world comes from a special place. All of her success and the mission that drives her comes from her ability to truly see the world and people as they are. Her provocative, insightful images come from a much deeper place when you understand Mittermeier’s focus behind the camera:
“There are some who believe that when you photograph a person, you capture an image of their soul. When photographing people, I have always focused on creating a photo that captures their essence as a human. My profound love for taking portraits is because they have such a deep narrative- a lifetime of stories within a single image.” ~ Cristina Mittermeier talks about “Lady With the Goose.”
For International Women’s Day, German automobile manufacturer Mercedes-Benz chose Mittermeier as a central figure in their global initiative, She’s Mercedes. She’s Mercedes recognizes her ability to “inspire, connect and empower women in creating a dialogue that transcends cultures, industries and experience.” In doing so, Mittermeier’s conservation and photography honors the company’s storied traditions established, in part, by one of its pioneering founders, Bertha Benz.
Mercedes-Benz was founded on a dream to utilize technology in a way that would enhance the lives of people and the overall progress of humanity. As the wife of Karl Benz, Bertha was instrumental in supporting his vision of an engine-powered vehicle. But it was Bertha’s insistence that he use her dowry before the couple was married to save the fledgling company as it struggled financially, in the early stages. Further to this, she also suggested technical enhancements such as adding wire insulation and leather brake pads, during the initial creation of this new “horseless carriage.”
In fact, Bertha Benz was so committed to advancing progress as quickly as possible that she secretly took the first long-distance journey in the company’s inaugural motor car, traveling 105 km (65 miles) with her two teenage sons. Karl had no idea and during the rigorous drive, Bertha solved technical issues and proved to doubters that his 1888 invention was safe and reliable.
The confluence between Benz’s work and Mittermeier’s is obvious, more than one hundred years later. Mittermeier uses her camera, embarking on her own long-distance journeys to document the plight of our oceans and the effects of unsustainable living habits on our planet. As a trailblazing spokesperson for the damaging effects of climate change, it’s inspiring to see her recognized and supported by the very company that Bertha Benz helped establish.
Who would have thought that the connection between these two heroic women would run so deep? Benz ushered in mobility and progress, while Mittermeier advocates for cleaner technologies and progress away from petroleum-powered vehicles. This bold move by Mercedes-Benz recognizes Mittermeier’s influence as an advocate and spokesperson for the damaging effects of climate change. Mittermeier’s collaboration with the very company that Benz helped to establish speaks to the role that every company should play in combating the devastating effects of the petroleum industry.
By the year 2022, the mission of Mercedes-Benz is carbon neutral production in all European plants (and worldwide by 2039) through renewable energy sources, such as wind power and other clean forms of energy. Once again, the automobile giant will need technological ingenuity and financial investments to change production methods, renovate factories, overhaul supply chains and develop new models of electric vehicles; all this while reducing production of the combustion engine within the next 20 years.
By promoting the use of hybrid-gas and electric powered cars, Cristina Mittermeier is driving change into the future. The theme for She’s Mercedes is Change Your Mindset. And that is what Mercedes-Benz has done. They have changed their mission and business model in accordance with their values.
“We have set a clear course to help prevent further acceleration of climate change,” the auto maker said in a statement, adding that the Paris climate accord is “more than an obligation — it’s our conviction.”
By using art as a tool, Mittermeier exposes the truths about the effects of climate change, our oceans, and the lifeblood of our existence. The oceans are under siege and not indestructible. They are the healing source of life and regulator of our climate. Oceans provide food and medicines for over seven billion people, yet they have become a holding tank for over 8 million metric tons of plastic – used once, and discarded. The implications of discarding a plastic water bottle or a single straw can no longer be ignored.
The extent of our negligent behavior can be seen, as Mittermeier suggests, as far as the polar regions and the coldest places on Earth. Antarctica is not immune to the immense threat of climate change. In addition, large commercial fisheries exploit foundation species, like a small crustacean called krill, a staple in the diet of whales, penguins and seals, and whose population dynamics are barely understood. A growing tourism destination, increasing pressure is put on fragile landscapes of the southern regions.
As consumer awareness about the harmful effects of gas emissions and the production industry that supports gas powered vehicle manufacturing, it is up to all of us to change the way we travel in the present and into the future. Our freedom to easily navigate our lives and explore our earth must acknowledge the footprint on our environment and the species that inhabits it.
“This year marks Antarctica’s 200th anniversary since it was first discovered and, unfortunately, it’s also the year where the highest temperatures in the ice continent’s history were recorded. This past February, temperatures soared to 20.75°C (69.3°F), alarming scientists and conservationists across the globe. World leaders are joining together to consider the establishment of three major MPAs (Marine Protected Areas) that would span across East Antarctica, the Antarctic Peninsula, and the Weddell Sea.
This would protect almost 1% of the ocean globally and approximately 4 million square kilometers. This is our chance to protect ecosystems to provide climate stability and to mitigate the effects of global warming on future generations. Think about that! At our fingertips is the creation of the greatest act of ocean conservation in the history of humanity, and it can all happen in a pandemic year!”
Mittermeier reminds us that 90% of the fish have disappeared from the oceans so every protection counts. “When I take stock of the challenges facing humanity and planet Earth, I cannot help but wonder, how can we aspire to solve massive global existential threats like climate change and inequality when half of our planet’s population is disenfranchised participate in the solutions?”
Women make up slightly more than half the global population. If we are serious about engaging every sentinel to save our great earth, we must ensure women have the opportunity to change the trajectory and find solutions.
Written By | WS Magazine
SOMEWHERE WITHIN: Open Your Eyes to Your Eyes
Mikhail Larionov’s words to Natalia Goncharova in 1900: “Open your eyes to your eyes” is a sentiment that mirrors the beginning of an artistic collaboration and exquisite love story between what would one day become a husband and wife creative entity. Each with their own road to follow yet passing through all the stages of love that culminate in the lyrical. This is the story of Blake Ward and Boky Hackel-Ward.
Three years ago my gallery had a wonderful exhibition of sculptures by internationally recognized artist, Blake Ward. During that time, I met his partner in life, German-born Boky Hackel. She was not only stunningly beautiful, but a brilliant poet, writer, artist and all around gorgeous soul. After the opening, Blake and Boky told me the story of how they began working together and how Blake’s publicist at the time was opposed to Blake giving Boky any credit for the work she had done on the creation of his sculptures. It was too late to change the direction of our exhibition as we had already sent out press releases and BMO Harris was the sponsor of the exhibition along with the Canadian Consulate. In the end, the exhibition was a resounding success.
Now, three years later, we have invited Blake to return for a second exhibition in our gallery. But this time he comes with his partner, co-creator and new wife, Boky Hackel Ward. We are thrilled to feature Boky as Blake’s collaborator and artistic partner of this beautiful collection of inspiring angels, phantoms, ushabtis and modern sculptures. Below is some history on how Blake and Boky came to be.
German-born Boky Hackel began life as a conceptual artist, restorer of Old Master paintings, photographer, musician, writer and poet. As a conceptualist and a polyglot, language had always been extremely important in her work. Although Blake Ward’s name is well known in the art world, it was not known that Boky Hackel-Ward was in the shadows as Blake’s artistic partner. In 2015, when Blake made an announcement that he and Boky were co-creators, his publicist relentlessly convinced him that Boky’s name be kept out of the press and public because “it would hurt Blake’s career.”
In 2015 Blake and Boky exhibited in Monaco at the Grimaldi Forum when the Monaco Matin ran a story featuring their love story and their work. It was an artistic collaboration made in heaven, they wrote. On Valentine’s Day 2015, at the vernissage of Blake’s exhibition at the Canadian Sculpture Society, Blake publicly announced that the new work presented was not his alone but a result of his collaboration with Boky.
Immediately, the publicist called an urgent meeting where he strongly discouraged Blake from telling anyone about the collaboration. There were many arguments while their representative in Canada backed the publicist 100%. They relentlessly tried to dissuade Blake from following his instinct and ethics. Boky’s contribution they said should be to continue ghost writing his blogs every three days, but no mention or credit should be given to her artistic collaboration with Blake.
In short time, Blake fired the publicist. He gave Boky credit not only for her writing but also for her creative contributions. Although the damage to their artistic synergy was serious, their love, respect and devotion to one another ran deeper.
Canadian-born Blake Ward was born in Yellowknife in the North West Territories in Canada, In 1985 Blake moved to Paris to study under Cyril Heck with whom he learned traditional techniques of modeling figurative sculpture. When the opportunity arose for Blake to move closer to both his foundry and marble quarry in France and Italy, he opened his current studio in Monte Carlo in 1990.
It was Blake who introduced Boky to sculpture. He asked her to do some gold leafing on some bronze pieces because of her mastery in restoring old master paintings in Italy. This assignment became the catalyst to her development as a sculptor.
“I suppose our collaboration is a result of the love that we have for one another. From the very beginning we have always tried to teach one another and share our knowledge. We each bring different things to the table; the sculpture techniques, the conceptual, the wax and the clay, we share this beautiful life together. Without the art we would be lost!” states Boky.
In March 2013, Blake & Boky began offically working together. Blake taught Boky the techniques he used in building his sculpture and Boky shared with Blake her knowledge and experience as a conceptual artist. The synergy was evident as they began to create together. It quickly turned into an incredible love story.
One day, as Boky returned to the studio after an orchestra rehearsal, she found Blake holding up a sculpture that the she had built in the style of his work. He looked at her and said, “Sign it….there is nothing I can do to make it better.” The sculpture was an Ushabti (a funerary figurine used in ancient Egypt) Boky had named “Hathor – Goddess of Love.” In ancient Egyptian mythology, Hathor is also the goddess of beauty, music, dance, joy, motherhood but best known as the goddess of love. She was also considered the protective goddess of women. Perhaps Boky created Hathor as a way of protecting herself after she was negated so strongly by the “good ole boy” publicist.
Blake created an inner structure for it, built a dream catcher and ultimately, they both signed the piece. From that point on, they worked incessantly, creating well over 20 sculptures per year. “Hathor” along with her sister sculpture “Hetheru” will be on display.
After much soul searching, today Blake and Boky are married and working together in perfect synergy. They work in harmony in the studio and in their foundries in Italy, France and Canada. His work, her work, and their work… They are two separate artists but sometimes one plus one makes for an even stronger one.
Blake has thrown himself into the digital world of Z-brush and 3D printing, mixing the digital with the analogue, the state of the art with the ancient lost wax techniques. Boky’s collection of Figurative Poetry is about making the hurt subside. It is what Blake calls Intentional Art, art with a purpose; it is about healing.
While building on the techniques of figurative sculpture lost in antiquity, Blake remains true to their representational qualities, yet his sculptures are a transgression of the rules, crossing over into the abstract and ethereal realms of our inner worlds. His 1/4 life-size, partial figures materialize before us. Both seductive and tragic, their perfect proportions reflect the hidden perspectives of our human condition. The textured exterior surface alludes to the complexity of our individuality. The open, exposed interior elicits introspection. Holding fast to his love of the human figure, Ward leads us toward self-discovery.
Ward received his Fine Arts Degree from the University of Alberta in 1979 and went on to study classical figurative sculpture in Paris until 1990, when he moved to his current studio in Monte Carlo. When he was invited to teach at the University of Hanoi in 2003, Ward began a journey combining art and activism. His work evolved a bold socio-political voice calling out to our humanitarian dreams of justice, truth, and equality and he has been a positive force raising funds and awareness for the eradication of landmines. Blake’s works have shown in Monaco, England, Germany, Italy, Singapore, Hong Kong, India, The United States, and Canada including many public installations in the principality of Monaco, where he and Boky currently reside, including Princess Grace’s Rose Garden. The work is in the private collections of Prince Albert of Monaco, Herb Alpert, Gerry Moss among others.
“Somewhere Within” will be the first time that Blake Ward and Boky Hackel-Ward will be showing together in the United States as co-creators.
“SOMEWHERE WITHIN” runs from Thursday, May 23, 2019 thru June 12, 2019.
Written By | Arica Hilton